If you've ever brainstormed in a group
and played the game where you write a sentence or paragraph, then
hand it to someone else in the group to continue before they pass it
on again, you've seen how good concepts quickly disintegrate as each
person asserts their own influence on the direction of story.
Although teams of writers are often involved with TV and movie
productions, they try to operate together to adhere to the themes
that have been established. Usually a leader presides over the
writing team, just as a conductor over an orchestra, because that
leader will exert control over the development of the story to
preserve continuity. But when writers are writing material related to
an already established IP, such as a sequel, the team leader needs to
help preserve the original vision and ensure that the writers don't
contradict or otherwise violate the material fans are already
familiar with. What if someone wanted to take a kid-friendly series
and inject an unrelated social agenda into it? Fans of the series
would be upset, possibly even offended, feeling like they've been
hijacked. If you visited a McDonald's expecting to eat burgers but
instead arrived to find only a variety of asian soups on the menu,
you might be be upset that your burger cravings were denied.
Controlling IP is important towards maintaining a vision, and total
rewrites should be carefully considered and discouraged if the IP
already has a strong, dedicated fanbase.
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