Does your setting have to be as
seemingly unique as the overcrowded space station setting in “The
100?” No, but you'll find that it can always help to try to put a
unique twist on a setting to set it apart from others of its kind.
For instance, the setting I proposed yesterday involving a small
world occupied by a powerful foe that imposes their ideology—that
setting is based on events in the history of several nations. You can
always start from a place of familiarity and it often helps to do so,
because it will be something people will more readily identify with.
It's more difficult for an audience to try to relate to something
totally obscure, so keep some familiar themes present. The next step
is to take that familiar setting and add something different. What if
the oppressed world needed to hide a devastating secret from the
occupying foe? Or what if the people of the oppressed world—painted
to be the victims at first—turned out to be preparing to conquer
and oppress other worlds, and their plans were foiled by the
occupying force? There are a number of possible twists on
expectations that can turn the initial premise into a pressure cooker
to catalyze the reactions of your characters.
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