When writing out your ideas for an
interesting story, I think it's important to consider your setting as
a possible antagonist. People react differently to situations, and
that's where the meat of your story is going to be found—your
characters' reactions—but you'll need a catalyst for their
reactions. The setting of The 100--a crowded, over-populated
space station with thin resources available—is a perfect antagonist
that will drive people to extremes, both in their response to the
antagonist and in their response to each other. Not everyone is going
to respond to a problem the same way, and often the response to a
problem can become an even bigger problem itself. Try some writing
exercises: write out a few ideas for different settings that could
become a driving force for your characters. For instance, imagine a
small world occupied by a powerful foe that imposes their ideology
and seeks to eradicate the former culture entirely. Or imagine
characters sailing on a boat in the middle of the ocean when it loses
all power and is adrift in the sea for weeks on end. The setting can
be an entire world or something as small as a tiny boat; it doesn't
matter. What your characters do to deal with the problems imposed by
the setting is where the real intrigue will be found.
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